Works Consulted
The following are a list of works I've consulted throughout this project that have helped place the works, themes and theories referenced in the interviews within a larger framework:
Adamson, Glenn. The Invention of Craft. London: & C Black Publishers, 2012.
Adamson, Glenn. Thinking through Craft. Oxford: Berg, 2007.
Camille, Michael, and Adrian Rifkin. Other Objects of Desire: Collections and Collecting Queerly. Oxford: Blackwell, 2002.
CHAICH, JOHN. QUEER THREADS: Crafting Identity and Community. Place of Publication Not Identified: AMMO Books, 2016.
Clark, Garth, and Cindi Strauss. Shifting Paradigms in Contemporary Ceramics: The Garth Clark and Mark Del Vecchio Collection. New Haven, CT: Yale University Press, 2012.
Doty, Alexander. Making Things Perfectly Queer: Interpreting Mass Culture. Minneapolis: University of Minnesota Press, 1993.
Greenberg, Clement, and John O'Brian. "Avant-Gard and Kitsch." In Clement Greenberg: The Collected Essays and Criticism. Chicago: University of Chicago Press, 1986.
Mathieu, Paul. Sex Pots: Eroticism in Ceramics. New Brunswick, NJ: Rutgers University Press, 2003.
McBrinn, Joseph. "Needlepoint for Men: Craft and Masculinity in Post-War America." The Journal of Modern Craft 8, no. 3 (2015): 301-31. Accessed September 5, 2016. http://dx.doi.org/10.1080/17496772.2015.1099247.
Metcalf, Bruce. "Replacing the Myth of Modernism." Www.brucemetcalf.com. 1993. Accessed September 5, 2016. http://www.brucemetcalf.com/pages/essays/replacing_myth.html.
Muñoz, JoseÌ Esteban. Disidentifications Queers of Color and the Performance of Politics. Minneapolis: University of Minnesota Press, 2015.
"Namita Wiggers." E-mail interview by author. Summer 2016.
Ostermann, Matthias. The Ceramic Narrative. London: A. & C. Black, 2006.
Pagliaro, John. Shards: Garth Clark on Ceramic Art. New York: Distributed Art Publishers, 2004.
Paludan, Lis. Crochet: History & Technique. Loveland, CO: Interweave Press, 1995.
Parker, Rozsika. The Subversive Stitch: Embroidery and the Making of the Feminine. London: Women's Press, 1984.
Potter, Annie Louise. A Living Mystery: The International Art & History of Crochet. United States: A.J. Publishing International, 1990.
"Put Your Thing Down, Flip It and Reverse It: Reimagining Craft Identities Using Tactics of Queer Theory." In Extra/ordinary: Craft and Contemporary Art, edited by Maria Elena Buszek, by Lacey Jane Roberts, 243-59. Durham, NC: Duke University Press, 2011.
Robertson, Kirsty. Extra/ordinary: Craft and Contemporary Art. Edited by Maria Elena Buszek. Durham, NC: Duke University Press, 2011.
Schaffer, Talia. Novel Craft: Victorian Domestic Handicraft and Nineteenth-century Fiction. New York: Oxford University Press, 2011.
Schwartz, Judith S. Confrontational Ceramics: The Artist as Social Critic. London: & C Black, 2008.
Sedgwick, Eve Kosofsky. Touching Feeling: Affect, Pedagogy, Performativity. Durham, NC: Duke University Press, 2006.
Sharp, Rosalie. Ceramics, Ethics & Scandal. Toronto: RWD Books, 2002.
Slivka, Rose. "The New Ceramic Presence." In The Craft Reader, edited by Glenn Adamson. Oxford: Berg Publishers, 2010.
Sorkin, Jennifer Marla. Live Form: Gender and the Performance of Craft, 1940-1970. Chicago: University of Chicago Press, 2016.
Synge, Lanto. Art of Embroidery: History of Style and Technique. Woodbridge. England: Antique Collectors' Club, 2001.
Vecchio, Mark Del. Postmodern Ceramics. London: Thames & Hudson, 2001.
Vecchio, Mark Del. Postmodern Ceramics. New York, NY: Thames & Hudson, 2001.
Vincentelli, Moira. Women and Ceramics: Gendered Vessels. Manchester: Manchester University Press, 2000.
Warner, Pamela. Embroidery: A History. London: B.T. Batsford, 1991.
Adamson, Glenn. The Invention of Craft. London: & C Black Publishers, 2012.
Adamson, Glenn. Thinking through Craft. Oxford: Berg, 2007.
Camille, Michael, and Adrian Rifkin. Other Objects of Desire: Collections and Collecting Queerly. Oxford: Blackwell, 2002.
CHAICH, JOHN. QUEER THREADS: Crafting Identity and Community. Place of Publication Not Identified: AMMO Books, 2016.
Clark, Garth, and Cindi Strauss. Shifting Paradigms in Contemporary Ceramics: The Garth Clark and Mark Del Vecchio Collection. New Haven, CT: Yale University Press, 2012.
Doty, Alexander. Making Things Perfectly Queer: Interpreting Mass Culture. Minneapolis: University of Minnesota Press, 1993.
Greenberg, Clement, and John O'Brian. "Avant-Gard and Kitsch." In Clement Greenberg: The Collected Essays and Criticism. Chicago: University of Chicago Press, 1986.
Mathieu, Paul. Sex Pots: Eroticism in Ceramics. New Brunswick, NJ: Rutgers University Press, 2003.
McBrinn, Joseph. "Needlepoint for Men: Craft and Masculinity in Post-War America." The Journal of Modern Craft 8, no. 3 (2015): 301-31. Accessed September 5, 2016. http://dx.doi.org/10.1080/17496772.2015.1099247.
Metcalf, Bruce. "Replacing the Myth of Modernism." Www.brucemetcalf.com. 1993. Accessed September 5, 2016. http://www.brucemetcalf.com/pages/essays/replacing_myth.html.
Muñoz, JoseÌ Esteban. Disidentifications Queers of Color and the Performance of Politics. Minneapolis: University of Minnesota Press, 2015.
"Namita Wiggers." E-mail interview by author. Summer 2016.
Ostermann, Matthias. The Ceramic Narrative. London: A. & C. Black, 2006.
Pagliaro, John. Shards: Garth Clark on Ceramic Art. New York: Distributed Art Publishers, 2004.
Paludan, Lis. Crochet: History & Technique. Loveland, CO: Interweave Press, 1995.
Parker, Rozsika. The Subversive Stitch: Embroidery and the Making of the Feminine. London: Women's Press, 1984.
Potter, Annie Louise. A Living Mystery: The International Art & History of Crochet. United States: A.J. Publishing International, 1990.
"Put Your Thing Down, Flip It and Reverse It: Reimagining Craft Identities Using Tactics of Queer Theory." In Extra/ordinary: Craft and Contemporary Art, edited by Maria Elena Buszek, by Lacey Jane Roberts, 243-59. Durham, NC: Duke University Press, 2011.
Robertson, Kirsty. Extra/ordinary: Craft and Contemporary Art. Edited by Maria Elena Buszek. Durham, NC: Duke University Press, 2011.
Schaffer, Talia. Novel Craft: Victorian Domestic Handicraft and Nineteenth-century Fiction. New York: Oxford University Press, 2011.
Schwartz, Judith S. Confrontational Ceramics: The Artist as Social Critic. London: & C Black, 2008.
Sedgwick, Eve Kosofsky. Touching Feeling: Affect, Pedagogy, Performativity. Durham, NC: Duke University Press, 2006.
Sharp, Rosalie. Ceramics, Ethics & Scandal. Toronto: RWD Books, 2002.
Slivka, Rose. "The New Ceramic Presence." In The Craft Reader, edited by Glenn Adamson. Oxford: Berg Publishers, 2010.
Sorkin, Jennifer Marla. Live Form: Gender and the Performance of Craft, 1940-1970. Chicago: University of Chicago Press, 2016.
Synge, Lanto. Art of Embroidery: History of Style and Technique. Woodbridge. England: Antique Collectors' Club, 2001.
Vecchio, Mark Del. Postmodern Ceramics. London: Thames & Hudson, 2001.
Vecchio, Mark Del. Postmodern Ceramics. New York, NY: Thames & Hudson, 2001.
Vincentelli, Moira. Women and Ceramics: Gendered Vessels. Manchester: Manchester University Press, 2000.
Warner, Pamela. Embroidery: A History. London: B.T. Batsford, 1991.